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ABOUT

Giving visibility to the invisible

Underwater, there is a continuous and pulsing concert.

Each species talks, echoes, reverberates, jingles, whispers, and emits signs and songs in a given frequency, so even if they all “talk” at the same time, there is no disruption.

 

Calves can hear the call of their mother, mammals using echolocation can find their prey, abyssal species can use their sonar to navigate, whales can sing and send messages along thousands of kilometers. At least, this could happen before mankind set foot on the seas.

 

Nowadays our need for oil and gas, imported merchandise via cargo ships, our need for cruises and summer jet skis, and even our need for “sustainable” offshore windmills: disrupt the world underwater.

 

Anthropogenic noise is also pollution. An invisible sort of. 

As humans we are used to the noise in-land and so we just bring it also to the ecosystem that is vital for our human survival: the Ocean.

 

With this framework, we decided to give visibility, to this invisible issue.

Team

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Andrea Mendoza

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Andrea is a Nature`s devote working with moving images.

She holds a PhD in Industrial Design and Multimedia Communication focusing on Social Innovation and Sustainability. Has studies in marine biology, photography, psychoanalysis and semiotics. She has taught at masters and bachelor levels and has been visiting Professor in China and Japan.

As a  freelance researcher has developed empirical projects and documentaries in various latitudes ranging from Iceland to India, being also correspondent for Design/Architecture magazines.

As a former advertiser she has worked as copywriter and editor for Radio and TV.

Angelo Farro

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Angelo is a sound artist ranging from audio/video installations to music for films and television.

He is currently collaborator, sound engineer and Max/Msp programmer of Alvin Curran, curator and professor of Electronic Music at the film scoring laboratory courses of the Centro Sprimentale di Cinematografia in Rome headquarters.

He creates sound installations using both programming and concrete materials such as wood, brass and steel.

Has performed in many venues in Italy, Germany and France alone and with his side project Kinoglaz focused on live soundtracks with analog synthesizers.

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